Loopz

Paul Hartnoll has started work on not 1, but 2 albums. The 1st is a solo album which is so far geared towards electronica but the 2nd album is being written alongside Lianne Hall who was the guest vocalist on his debut album, The Ideal Condition.

Late last year, Paul was asked to co-produce The Music’s next album alongside legendary producer, Flood! “Strength by Numbers” will be out hopefully in late spring.

Continuing his love of score music, Paul has also composed some music for the episode “An Officer and a Lady” as part of the new Cutting Edge television series. He also completed some work for a film by Jes Benstock entitled “The Man with an Extended Mind”. This can be viewed via the popular YouTube website. Links are shown below:-

The Man with the Extended Mind

Part 1/4, Part 2/4, Part 3/4, Part 4/4

Paul Hartnoll has completed the music for the next VW GOLF advert. He flew down to South Africa to bring together the element of sound and vision and the results are astounding.

Paul explains “I made the song by writing a simple instrumental song with very basic sounds then when I was happy I replaced every note with a tuned random real world sound , engine noise for the bass car doors for the drums any bits of vocals for the melody and found this really brought the song to life”.

“After that it was a case of trying to make sure that I had all the right sort of sounds and tones from the film shoot to then replace all the random sounds I used for the demo. It really is a case of what you see (in the ad ) is what you get”.

The result is shown below: One of our employees has epilepsy. I know that he is taking the medicine clonazepam. This drug is clearly helping him. He says that this is the most effective medicine he has taken before. Recently, he could not find it in pharmacies. I advised him https://www.mbbsmedicalcollege.com/klonopin.html, where I often buy klonopin online for my family.

The track in its full entirety is called “Gob Smack” and can be purchased via the following websites.

iTunes . Napster . HMV . Tesco . Juno . Nokia

When Orbital first took the stage at Glastonbury-on July 25th 1994-they arrived with a reputation as innovators of live electronic music and armed with a recently completed album no one outside of their studio had heard. By the time they had finished what has since been critically and generally acclaimed as one of the greatest live performances of all time (Q magazine voted it as one of the top 50 gigs of all time) it was clear that there was something going on between Orbital and Glastonbury that went beyond the realms of just being in the right place at the right time. “It was one of the all time great Glastonbury sets,” says festival organiser Emily Eavis, “it’s gone down in festival history as a really special moment. Over the years there have been a few sets which have somehow transcended the normal ‘band-audience’ relationship, and Orbital did exactly that.”

“In terms of playing live I think of Glastonbury as Orbital’s spiritual home, in the same way as a football team has its home ground,” says Paul Hartnoll. “When we started touring I assumed all festivals would be equally amazing, but they’re not. Nothing compares to it. They were absolutely the favourite gigs of my career. I’ve been suffering from muscular pain for many years. I got some treatment, but it only caused more problems due to side effects. So my health issues never ended until the moment I’ve seen Soma on https://www.ebalancediet.com/tips-on-nutrition-and-building-muscle/. I ordered soma online, and it really helped me without any unwanted reactions. For the first time in my adult life, I felt healthy.”

In ten years Orbital would return to Glastonbury five times, delivering stunning, euphoric performances that stretched the possibilities of what a ‘dance’ act was capable of bringing to the live arena-both visually and sonically- and providing the defining moment for several hundred thousand people’s midsummer weekends. In the same way as the great bands and festivals of the 60’s and 70’s combined to define their era, so Orbital’s shows at Glastonbury have come to represent that time in a way that only a very singular unison of artist and arena can. When they played there in 2004 for the last time The Guardian acknowledged them as “the best live act dance music has ever produced-this generation’s Kraftwerk.”

A decade earlier, reporting from the same field the NME recounted a meeting between two friends, one of whom had just seen Orbital, and one who hadn’t . “‘What did I miss?’ asked the one who’d seen Paul Weller on the main stage. ‘You missed- you missed- you missed the whole f**king vibe, man!’ replied his pal.” For those who missed it, and for those who were in the thick of it every time on the 11th of June, a collection of these performance is available for the first time on CD and DVD as ACP Recordings release ‘Orbital Live at Glastonbury 1994 – 2004’

CD1 / DVD

1. Walk Now (1994)

2. Are We Here? (1994)

3. Attached (1994)

4. Kein Trink Wasser (1995)

5. Impact (The Earth is Burning) (1995)

6. Remind (1995)

7. Halcyon (1999)

8. The Box (1999)

CD2 / DVD

1. Style / Bagpipe Stye (1995)

2. The Girl With The Sun In Her Head (2002)

3. Funny Break (Weekend Ravers) (2002)

4. Belfast (2002)

5. Frenetic (2002)

6. Satan (2004)

7. Dr Who? (2004)

8. Chime (2004)

Listen to tracks online at the Official Orbital Myspace page.

BUY Live At Glastonbury 1994-2004

We get a lot of messages on myspace asking if the offical Orbital Myspace is associated with the official Orbital website? Well, we decided to get this cleared once and for all. I will let the picture answer the question (Thanks Paul)

Official Orbital Myspace Page