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1999
Tour Diary |
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31st
Dec - Cream Liverpool, England |
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16th
Oct - Brazil |
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15th
Oct - Brazil |
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25th
Sep - Homelands Ireland |
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28th
Aug - Pukkelpop
Belgium |
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27th
Aug - Lowlands
Holland |
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22nd
Aug - V99
Chelmsford, England |
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21st
Aug - V99
Stafford |
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13th
Aug - Flux Festival Edinburgh, Scotland |
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10th
Aug - Total Eclipse
Festival - Plymouth, England |
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24th
Jul - Long Beach Con
Center - California , USA |
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23rd
Jul - Bill Graham Civic Aud - San Francisco , USA |
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22nd
Jul - House of Blues, Las Vegas, USA |
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21st
Jul - Del Mar Fairgrounds - Del Mar , San Diego, USA |
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20th
Jul - Club Rio, Tempe, Phoenix , USA |
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18th
Jul - Brady Theatre, Tulsa,
USA |
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17th
Jul - Bronco Bowl, Dallas, USA |
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16th
Jul - Austin Music Hall, Austin , USA |
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15th
Jul - State
Palace Theatre , New Orleans ,
USA |
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14th
Jul - Tabernacle Atlanta , USA |
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13th
Jul - Fairgrounds
Jacksonville , USA |
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11th
Jul - Electric Factory, Philadelphia , USA |
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10th
Jul - Palladium
Worcester , USA |
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09th
Jul - Hammerstein Ballroom, New York , USA |
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08th
Jul - Crane,
Pittsburgh , USA |
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07th
Jul - Nautica Stage Cleveland , USA |
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06th
Jul - State
Theatre, Detroit , USA |
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04th
Jul - Congress Theatre , Chicago , USA |
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02th
Jul - Roskilde Denmark |
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26th
Jun - Glastonbury, England |
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19th
Jun - Madrid Stadium, Spain |
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17th
Jun - Sonar 99, Barcelona, Spain |
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11th
Jun - Prague Castle, Prague |
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29th
May - Drum Rhythm Festival , Amsterdam |
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24th
Apr - Peel Session - Queen Elizabeth Hall, London |
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15th
Apr - Amsterdam |
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14th
Apr - Paris , France |
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03rd
Apr - Espárrago, Spain |
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31st
Mar - Dublin, Ireland |
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30th
Mar - Dublin, Ireland |
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28th
Mar - Brixton Academy , London, UK |
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27th
Mar - Brixton Academy, London, UK |
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26th
Mar - Brighton , UK |
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24th
Mar - Southampton, UK |
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23rd
Mar - Cambridge , UK |
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22nd
Mar - Wolverhampton , UK |
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21st
Mar - Glasgow , UK |
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20th
Mar - Manchester , UK |
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18th
Mar - Sheffield , UK |
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17th
Mar - Newcastle , UK |
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16th
Mar - Leeds , UK |
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15th
Mar - Bristol , UK |
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14th
Mar - Exeter , UK |
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8th
Mar - Mass , London (Cancelled) |
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TOURS
- 27th March - Brixton Academy - London - England - UK |
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Photo
Contribution #1 -
Ian
Judge
Set
List -
Loopz
Review
Contribution #1
- Marcel
Foster
Review
Contribution #2
- Mark
Stevens
Review
Contribution #3
- Joanna
Buck
Review
Contribution #4
- Martin
Dixon
Review
Contribution #5
- Richard
Wakefield
Review
Contribution #6
- Sean
Brazier
Review
Contribution #7
- Charlotte
"Bug" Milton
Review
Contribution #8
- Paddy
Eason
Review
Contribution #9
- Dave
Crook
Ticket
Contribution
- Sid
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#1
Click on Image to view FULL size
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Set
List
- (intro - Clockwork Orange), Way Out, Spare
Parts Express, Impact (The Earth is Burning), Know Where to Run,
An Fhomhair, Halcyon (with Belinda Carlisle and Bon Jovi samples)
,I Dont Know You People, The Box, Nothing Left (Parts 1 and 2),
Style, Bigpipe Style, Satan, Open Mind (F.A.Mix) (with the new intro
- vocoder fallout samples) , Doctor Who and Chime.
Review #1
- Marcel
Foster
Today is Monday and i've just about got over the brilliance of saturday
nights gig (27th March) at the academy. I kinda got there early
so not only did i have a front row position, i also managed to catch
the entirety of the Plaid's set (support act). The crowd were really
appreciative of the sound and after a few 'laid back' numbers they
really got into their element and the crowd responded appropriately.
But to more important matters, namely the main act.
Orbital come on after an agonisingly long wait, sporting those ever
fashionable maglite glasses, to the kind of applause and adulation
usually reserved for an FA Cup Final. There was no question that
the crowd tonight were waiting for lift off. Looking amongst the
crowd I noticed that it was an older, more discerning audience (no
disrespect to the younger Orbital fans out there :) First to kick
off the proceedings was a track of the new album which I think was
"Way Out" which went down very well. You could see lots of people
really going for it, yet at the same they were really listening
and analyzing the sound for as you know, Orbital tunes can be complex,
multi-layered beasts with subtlety and feint melodies. Next up was
the simply amazing and very aptly named "Spare Parts Express", 10
minutes of incredible melodies, constant changes in pitch, disjointed
yet strangely so together. For me this was one of the best tracks
of the show. Following that come various tracks most of them entirely
new to an 'up for it' audience. Honourable mentions go to 'Nothing
Left Parts 1 & 2', a really bass heavy Am Fhomhair, an evil sounding
"I dont know you people" always brilliant classic "impact", always
a crowd favourite and another show highlight "The Box 1 & 2" which
was an entirely new live version comprises over a steadily decreasing/increasing
pitch change within to track, a somewhat more dancy version of this
classic track. The crowds response to this orchestrated brilliance
was reciprocated by the manic dancing of the brothers Hartnoll (especially
Phil who seemed to be having a whale of a time). One thing i neglected
to mention was the briallance of the visuals which were displayed
on specially constructed rotating screens which displayed catastrophic/world
problem/philosophical imagery of a critical nature, a message to
all of the destructive nature of mankind in general. The main part
of the gig was then closed by the use of "Style" , firstly using
its familiar stylophone incarnation then cleverly morphing into
the ever popular radio version "Bigpipe Style" which really the
those bodies moving!
And with a a wave and a bow, the Hartnoll exited stage right to
an incredible crowd response, for the was no doubt that confirmed
their status as incredible live performers with superb material.
But they were not going to be left of the hook that easily. So for
the next 5 or so minutes, the crowd screamed pleaded and begged
for an encore (which we knew had to come) and sure enough the brothers
returned. (By the way I loved the way they sent a sound guy out
to dismantle some of the equipment, giving the impression that things
were to end. He was in fact fine tuning i think). The return was
marked by an ear splitting rendition of "Satan" in all its demonic
glory, i swear that my ears were about to bleed! This was followed
by a version of Open Mind, an old gem from almost ten years ago
rejigged for maximum effect. They then played a track which slowly
morphed into the old Doctor Who Theme much to the hilarity of all
and this in turn blended into that classic tune "Chime", indeed
the track that started it all. Upon its conclusion the brothers
took a bow for this was indeed the end. Everyone looked shell shocked
yet elated, i definately rate it as the best gig i have been to
in the last few years (equal with the Hello Nasty Tours by the Beastie
Boys) and i will definately see them at every opportunity. After
the gig i chatted to a few people about the gig and the general
concensus was that this was a live experience not to be missed for
until you see this you have lived.
And to finish up this review, i would like to say that i have absolutely
no complaints whatsoever for this was sheer brilliance from start
to finish. And to make the evening even better, i managed to pull
a Greek girl who was a very knowlegable fan and who actually plans
to travel between Greece and England just to see this band (HI ADRIANA!).
What more recommendation do you need?
Review
#2
- Mark
Stevens
Plaid wandered on stage just after 20:30, when the venue was only
half full. I'd already been there over an hour and I'd already sussed
that this wasn't really an IDM crowd, so about 70% of the audience
just carried on chatting and guzzling beer throughout their forty
minute set. The remaining 30% seemed to be "in the know" and cheered
at all the recognisable tunes.
Well, perhaps "tune" singular. The only track I recognised was a
heavily modified 'Scoobs'. They didn't play one single cut from
'Not For Threes', 'Android', 'Undoneson' or 'Peel Session'. I haven't
heard much of 'Mbuki', so I don't know if they played anything from
there.
Despite that most of the tracks were probably new, the style was
very much like their Bytes-era Black Dog stuff -- in fact I swear
I heard a few snippets of old Black Dog tracks in there. Lots of
analogue mayhem, pulsing basslines and punchy rhythms. I think the
engineers at the venue were giving the bass a bit too much bias,
because I could just about hear a few melodies straining to be heard
in the mix above the head-spinning bass.
Overall, a solid performance, but nothing outstanding. The highlight
was definitely the final track of their set, a really energetic
acid-techno work out with squawking basses, 808/909 percussion and
lots of raw analogue drones and meldoies.
The Hartnoll brothers arrived on stage just after 21:30, to deafening
cheers. Gone were the trademark 'torch goggles'... in their place
were fucking huge (and powerful) car headlamp goggles! Phil Hartnoll's
beams were piercing right through the smoke and hitting the back
walls of the Academy.
To sum up their set in two words -- fucking awesome. They were on
stage for two hours (yep, two!) and played all of the new 'Middle
of Nowhere' album, spinning in various classics (Chime, Satan, Halycon,
Impact and The Box) along the way.
If the crowd were a bit nonchalant during Plaid's set, then they
underwent a complete change once Orbital arrived. Now, at most gigs
of this sort, you tend to get the dancing types right down the front,
whilst the beard-stroking sit-down types sit at the back. Not so
with this crowd. Every single person in the building was jumping
around like crazy. I've never seen anything like it. I had an excellent
vantage point -- a clear view of the stage (including the excellent
projected visuals) and the mass of people. *NO-ONE* was standing
still.
What was also amazing that people were mostly getting off on the
new material. Again, at your average gig it's the new material that
stops everyone in their tracks, but the new tracks went down a storm.
And with good reason too -- they were amazing. I sincerely hope
they're a good representation of the album's feel, because it means
we'll get the pace and energy of 'Brown', the sophistication of
'Snivilisation', the production trickery of 'In Sides' and the huge
fun factor of 'Green'. Don't worry if you were a bit disappointed
with 'Style' -- the other tracks will knock you for six.
It's hard to pick out individual highlights. As far as the old stuff's
concerned -- the new version of 'Impact (The Earth is Burning)'
was amazing; snippets of Belinda Carlisle and Bon Jovi were effortlessly
woven into 'Halcyon'; their reworking of the Doctor Who theme was
fall-down funny (and much better than KLF's). As for the new stuff,
well it was all excellent.
Review
#3
- Joanna
Buck
WOW!!! went to see my favourite twosome on saturday night! Arrived
early to position myself right at the front! (call it sad, but it
I have suffered over 48 hours of Tinutis to pay for it!!).That however,
did not taint and absolutely awesome night! Having seen them before
at a huge venue like Glastonbury and at possibly one of the smallest
venues,Cornwall Colliseum, this was perfect all round. Really enjoyed
the new stuff, and, of course became lost in hysteria at thier old
stuff (esp Hacylon!!!). Just like to say Orbital you are the best!!!
Keep up the good work Steve! ( If you were there somwhere, which
I'm sure you were, I was the mad Bint jumping around at the front!!!).
(one of many :) - Loopz)
Review
#4
- Martin Dixon
Saw Orbital Saturday night - the BEST gig I've been to. A combination
of the venue, the crowd and the music made it an awesome occasion.
Review
#5
- Richard Wakefield
The crowd was so impatient to see the legendary duo that when Plaid
err... played, their excellent introduction just hyped us up even
more. 'Clockwork Orange' came on and thos instantly recognisable
bug lights floated across the stage. Orbital took to their craft-like
set and a repeated sequence of chords was initiated. 'Way Out' had
every person listening intently and when the bass line came on,
the floors began shaking. Infact the rest of the night had everyone
swimming in a sea of bass. (It is now Tuesday and I have only just
got my hearing back!) A few tracks later and 'Impact' came on with
applause all round and admiration for the real-time visuals. I thought
a lot of the visuals were pretty pessimistic witht the crash-test
dummies, pulse rates and of course Satan's gunshots and explosions.
'Nothing Left' (parts 1 and 2) flowed so well and proved that the
new album is certainly more dancey than the previous. Tracks that
really got the audience moving included 'The Box', 'Style', and
'Halcyon and On and On' with 'those' cheesy but incredibly slick
samples. (To Orbital -PLEASE release this track as a B-side or something!!!).
The wait for the encore seemed so long and some people used this
as an advantage to roll up fresh joints. Orbital didn't let us down,
because in their encore, we were treated to the violently loud 'Satan'
and 'Chime.' The surprise was a huge success, and that was in the
form of a 'Doctor Who' remix. Only pure geniuses could make a cult
theme tune sound like the dog's danglies, and these people are Orbital.
Review
#6
- Sean Brazier
Just a quick note to say thanks for loopz, it's absolutely excellent.
And also to say armed with all the previous gig reviews, I saw them
in Brixton on saturday, and it was not only better than the 2 times
I've seen them before, it was pretty much the best live gig I've
ever seen. Looking forward to the new album like a 5 year old on
Christmas Eve.
Review
#7
- Charlotte "Bug" Milton
Saw Orbital at Brixton last night and they were absolutely fantastic.
The new tunes sounded brilliant, there was a variety of sounds which
sounded great. No matter what they do it always sounds great...musical
genius' me thinks. Memorable bit of the nite was the Doctor Who/Chime
finally piece....a great way to end the set.
Can't wait to get the album
Review
#8
- Paddy Eason
I went to the Sat Brixton gig, and am still glowing! I've been to
a few Orbital gigs (OK - credentials - I bought the 7inch of Chime
when it first came out, I saw Orbital supporting The Shamen and
also at the Serious Road Trip benefit at Linford Film Studios, Glastonbury,
as well as many many other gigs) and this one was really one of
the best I can remember. The set was wonderfully paced, no flat
patches anywhere, very very fierce at times (Satan was pulverising),
great sound quality (loud!), the visuals were better than ever,
mesmerising (congratulations to the vision people) - everything!
Any complaints? I'd like to hear "Forever" again, but you can't
have everything...
Review
#9
- Dave Crook
I cant give you a set list but they were absolutely brilliant and
looked like they were enjoyinging themselves, and tasty projections
too (a little Barney bubbles/hawkwind influenced??)
Plaid on the other hand lacked that BIG tune to kick in with, Ok
but only just |
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