NuSkoolBreaks interview - Phil Hartnoll - 24th November 2004 
Loopz Interview - USA Tour - Minneapolis -18th October 2001
Homelands Interview - Worldpop - May 2001
Altogether Interview - Jo Vraca - May 2001
Making Music - May 2001
Brothers Gonna Work It Out - Amazon - April 2001
Orbital in The Altogether - NME - April 2001
Orbital for Scape - Jo Vraca - Winter 2000
Dotmusic - Webchat with Paul Hartnoll - 24th February 2000
Innerviews - Beats of Daring - 20th May 1999
Bassic Groove Magazine #4 - Good Techno for Bad Movies - 1999
CDNow Website - Orbital Lands in the Middle of Nowhere
July 1999
NME Webchat with Paul Hartnoll - 29th June 1999
Community Service Tour - Webchat with Paul Hartnoll
7th June 1999
DJ Magazine - The Odd Couple Issue36 : Vol 2 : March 27th - 9th April 1999
Loopz Interview
12th December 1997
In Sides / Orbital Review
November 1996
SonicNet - Webchat with Orbital - 5th September 1996
Details Magazine
Floppy Disco
August 1996
Select Magazine
In Sides
May 1996
Guardian Paper
Sibling Chivalry
19th April 1996
Feile - Orbital Stole The Show
August 1995
DJ Magazine
Orbiting the Feile
31st August 1995
Select Magazine
Suburban Spacemen
September 1994
NME Paper
Brothers Up In Arms
13th August 1994
Select Magazine
Twin Bleeps
October 1992
NME Paper
Fission Blips
07th March 1992
INTERVIEWS - Select Magazine - In Sides - May 1996
Interviewed by Andrew Male

An interview with Paul Hartnoll which featured in Select Magazine - May 1996 Issue.

If there are any spelling mistakes or any other problems then please inform me via email.
Select: You're calling this album "six unrelated sound scenarios". You what?
Paul: It all came about perfectly by accident. Usually, we find a theme and work it into the album but this time, rather than chasing a theme, we developed separate themes for each track. It's not meant to alienate anybody.

Select: It's a very cinematic album. Lots of potential movie soundtracks there.
Paul: I'm glad you think so. 'The Box' was meant as a concept single. It's our soundtrack to an unmade film- kind of a cross between The Devil Rides Out and The Quiller Memorandum. We've got this friend who calls it 'The Devil Eats Out', because he reckons there's a takeaway food subtext running through the narrative. Never quite seen it myself. We'd love to do a real movie soundtrack, but all we ever get offered is sci-fi. It would be nice to do something less predictable. Like the next Jane Austen adaptation.

Select: 'The Box' and 'The Girl With The Sun In Her Head' suggest a big John Barry influence.
Paul:Most definitely. Particularly his music to Orson Welles Great Mysteries and Our Man Flint. I used to laugh at people who'd pay more than 50 for his albums, but I've been sorely tempted recently. We're also big fans of Lalo Schifirin and of course, you can't forget... I've completely forgotten his name. Shit! Er... Ennio Morricone!

Select: You're playing the Royal Albert Hall in May. Any surprise planned? An inflatable Prince Albert, perhaps?
Paul: Er, no. But yes, lots of surprises. We're working with a couple of struggling film-makers who plan a piece of total theatre. It should be very exciting.

Select: What's that bizarre squeaking sound in the background?
Paul: That's just my swivel chair. We've already sampled it. It's one of the main sounds on 'The Box'. We also sampled the sound of someone planing a piece of wood inside a metal pipe. We're actually very lo-fi. We're big Stereolab fans. I've drunkenly informed them of this fact a number of times. I think they thought I was your regular backstage nutter. We'd love to do a single with Stereolab. Them and Scott Walker. A Scott Walker and Stereolab collaboration. Fantastic. You have to dream. Er, can we just add that we're currently petitioning for the release of this boy in South Yorkshire called Simon Sheffield. He's been sentenced for five years for spraying grafitti on a wall. 'Setting an example,' they call it. I mean, rapists get less than that. The world's gone mad.
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